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The Music: The scoring of the movie, which was not a musical, was not nominated for an Oscar, despite its well-known composers.
TIME’s critic also praised the film for containing “a magnificent shot which is possibly the best individual justification of Technicolor yet seen on the screen.” From this point on, the story of A Star Is Born does not differ in superficial outline from the story that has been told a hundred times, usually as an excuse for weak screen musicals.
It then examines the career of the exception-Esther Victoria Blodgett (Janet Gaynor) who, the day she arrives on the Coast, financed by her grandmother’s nest egg, tiptoes into the outer lobby of Grauman’s Chinese Theatre and stands tremulously in the cement footprints of her favorite actor, Norman Maine.
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March stole the show and lent the movie its “effectiveness”:Ī Star Is Born (United Artists) starts by making the point that one girl in a hundred thousand who go to Hollywood to be stars becomes one. What the Critics Said: A May 3, 1937, TIME review critiqued Gaynor, not only for her acting in A Star Is Born, but for her talent in general. After Esther moves to Los Angeles to pursue acting, she meets Norman Maine (Fredric March), an alcoholic actor Esther looks up to. Janet Gaynor (1906-1984) plays Esther, who grew up on a farm in North Dakota. See KFTV's production guide for more on filming in California.The Plot: The plot of the first film differs the most from the following renditions, as the lead character’s passion is for acting rather than singing. That said, this year California has still managed to attract shoots like Tom Cruise’s Top Gun sequel and Quentin Tarantino’s new movie Once Upon a Time in Hollywood, both of which were incentivised by the state. Most of the productions that shoot in California remain on the lower end of the budget spectrum and do not manage to secure tax credit support. Limitations to the state’s filming incentive mean big-budget studio films still tend to base themselves either elsewhere in the US or internationally. Regular gig tickets were sold for these shoot dates, with the proceeds going to a non-profit organisation founded by Lady Gaga at the start of her own career.Ĭalifornia recently extended its filming incentive tax credit programme through to 2025, but chose not to act on the advice of a June report from the Milken Institute that recommended increases to its film fund and better support for big-budget features. An array of sensitive sound equipment was used on each stage to maximise the quality of the vocal recordings. “It’s a bold way to start production, but it turned out to be surprisingly less complicated than we initially thought.”Ĭooper and Lady Gaga sang live throughout the shoot, with only their on-screen bands faking their performances. “But it just so happened that we started finding great locations and the venues were incredibly co-operative and supportive of us filming there, so there was no reason not to go do it in the real places these things happen. “We had explored the idea of doing certain things on sound stages because there’s certainly a lot more control in terms of noise, lighting – things like that,” says producer Bill Gerber.
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The production team made full use of having Lady Gaga as their star, as well as enjoying considerable support from music company giant AEG and promoter Goldenvoice. Several scenes were shot at real festivals as Cooper sought to chart the touring careers of Jackson and Ally.
The movie, made for a budget in the region of $30m, received tax credits worth a reported $7.7m from the California Film Commission.Īs a result, the film became one of only a few high-profile studio features for which shooting in California was economically viable.